Tag Archives: writer

THE REVELATION JOURNALS I-VII

THE REVELATION JOURNALS I-VII

November 4, 2009

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These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released (projected release dates for the journals: 12/2013-2015). I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term: The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes. These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it. So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation. The overall endeavor is to create visual peace in these times of turmoil throughout the world. It is an opportunity to focus on something beautiful and designed to place the viewer in awe. Please see the blog about the painting at:www.therevelationpainting.wordpress.com

The Journals included with this painting are as follows:

Journal I The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion. Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal. It contains rare insight into an artist mind while working on a masterpiece!

Journal II The Journal of Visions

Exploring imagination and visually preparing for this huge project, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting. It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting. Small sketched works were required to become at times “larger than life”. The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion. Starting often times as merely stick images, working through to the completed characters or scenes. The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V The Stones

In depth coverage regarding the stones of the twelve foundations noted in The New City are covered in this journal. Geological, metaphysical, spiritual and origins are also covered. Stories about global participation in obtaining the stones are also covered. Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred. Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity! This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time! The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the project and completion of The Revelation Painting. A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes. Contributions can range from a comment, marketing, to sponsorship or obtaining materials. Everyone is acknowledged, some to the point of limited ownership of a random section of the painting!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages. The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

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Side Note:  HAPPY ST. PATRICK’S DAY!

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The Journal of Dreams 01/08/2010

There is no time to do much before work except smoke cigarettes, drink coffee, and stare at the black horse.  I think he has way too much hair and the major screw up here is that the hair crosses over all four canvases right at their joints (the cross in the middle where they all connect).  That means I have to apply the hair across all four canvases and make sure it is totally dry, then cut it so very straight between the canvases.  If the edge where the hair is becomes rubbed on something, it will rip off.  What a horrid mistake!

I called my old father and we had a conversation about it.  Life really makes people wise (sometimes).  He can always think of an answer.  One day I’ll pick up the phone to call him for an answer and he won’t be there anymore, just like my mother who died in 2006.  I don’t know how many times I thought about picking up the phone and calling her.  Ironically she died because she received a double dose of insulin in a place where she should have been safe.  I was the only one who did not attend her funeral, I could not trust myself.  The anger was too strong.

It could be a moment of wondering if I had it all to do over again, what would I change but I cannot think that I would change much.  Self preservation blankets me and I avoid relationships, friends, family, or anything which has the ability to destroy me.  When I paint this painting I wonder if my mother was the nurturing vessel which brought me to this point in life.  Evaluating her life, I do not know of any other achievement that could top it.  Am I her destiny and what it was all for?

There are a lot of skeletons in our families closets, a lot of damage was done and time healed some of the wounds.  I have 4 novels I have worked on about these skeletons.  When I write, my grand imagination lets me see it like a movie in my mind.  I feel the warm, summer night air, smell the neighborhood, hear the music and see the moon glisten in the distance.  Pulling from memories is a wonderful thing in creation, like the Interference Blue’s mimic of moonlight…wonderful.

All my life, as far back as I can remember there was a silent traveler with me which as an adult I called: A Sense of Sadness.  When I was 32 my mother handed me a book of poetry I wrote when I was 12 and every poem in it was about death or dying.  It was a shocking Revelation for me because I had wondered often times when the sadness really began and why.  I couldn’t believe it had been at that early of an age and to have written about it then, it originated earlier.

In analyzing how I could have possibly known anything about death at that age, I could not remember any instance.  No one near me had died, none of my friends family members had died and to this day, I still cannot remember how it started.  The similarity of my mother dying at 12 and returning to tell the tale made me wonder about dreams, memories and how we protect ourselves from psychological pain by forgetting.  I wonder…