Golden acrylics are one of the most expensive paints to paint with, so much so that I will have to find another way to create the rich texture of the sky. I want it to rise up from the canvas at least 2mm-3mm, even 4mm of possible. Upon working on it, it was with rapid realization that I noticed the sky requires too much paint to achieve that deep texture. My favorite art supply store is Michaels where just about everything I need for the painting can be found there and if it is not, it can be custom ordered. The other evening I was there, exploring my options and saw texture building mediums. Tonight I will go there and see what I can find to build texture.
The plan is to use Van Gogh’s Starry Night technique but to an extreme. I had read that when Van Gogh made that painting his sight was so deteriorated that the painting reflected how he had come to actually see things due to exposure from the toxic elements of the paint and pigments he used. Paint in modern times is supposed to be free of those life altering toxins which is imperative for artist’ like me who have a very real habit of licking their paint brushes. Further research revealed to me that the Old Master’s often times licked their brushes too. No reason for it was found in my research but I know why I lick my brushes and probably why they did to.
Often times when painting, an artist mixes a custom color that is difficult to duplicate. I find myself adding saliva to the brush to fade the last remaining color away. I used the technique as a shadowing effect, especially with darker colors leaving the same color as mixed, just fading away. I am unsure if the Old Master’s used the technique for any other purpose other than the reason I use it. I am unsure when I started doing it, finding myself with a colored tongue is what brought it to my attention, then I realized exactly when and why I do it.
A while back I had run across an old art store going out of business. They had some powdered pigments in the brightest oranges and yellows. I bought them for a substantial discount. Somehow I had looked right past the skull and crossbones on their labels as I focused on the vibrant colors. That was about 10 years ago and I haven’t ever opened them, afraid of forgetting and licking them as it has become second nature for me. They sit on a shelf where I admire them but am unsure of myself in the middle of painting to remember they are poison.