Tag Archives: medicine

THE REVELATION JOURNALS I-VII

THE REVELATION JOURNALS I-VII

November 4, 2009

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These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released (projected release dates for the journals: 12/2013-2015). I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term: The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes. These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it. So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation. The overall endeavor is to create visual peace in these times of turmoil throughout the world. It is an opportunity to focus on something beautiful and designed to place the viewer in awe. Please see the blog about the painting at:www.therevelationpainting.wordpress.com

The Journals included with this painting are as follows:

Journal I The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion. Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal. It contains rare insight into an artist mind while working on a masterpiece!

Journal II The Journal of Visions

Exploring imagination and visually preparing for this huge project, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting. It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting. Small sketched works were required to become at times “larger than life”. The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion. Starting often times as merely stick images, working through to the completed characters or scenes. The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V The Stones

In depth coverage regarding the stones of the twelve foundations noted in The New City are covered in this journal. Geological, metaphysical, spiritual and origins are also covered. Stories about global participation in obtaining the stones are also covered. Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred. Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity! This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time! The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the project and completion of The Revelation Painting. A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes. Contributions can range from a comment, marketing, to sponsorship or obtaining materials. Everyone is acknowledged, some to the point of limited ownership of a random section of the painting!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages. The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

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Side Note:  HAPPY ST. PATRICK’S DAY!

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The Journal of Dreams 01/27/2010

I started painting the white background on the custom canvases-64 square feet (4-4 foot canvases).  The brush I am using is 1″ and it is clear that I should have used a roller!  This is an absolutely huge painting that gives a lot of time to think about things as you work on it.  I like to keep tabs on what I think about when painting certain things.  Painting is therapy and the huge white canvas(es) are waiting for the artist to spill their thoughts upon it.

Today I imagined the Old Masters and their thoughts while painting some of their best works.  Also, I wondered how much background noises had to do with their thoughts.  In the 1600’s there were probably bird sounds and carriages pulled by horses.  The click-clack of their feet in motion may have kept a beat used to stroke the painting at a certain pace, or maybe the noises threw off the artist’ concentration when trying to do intricate work.

Did the artist paint in solitude or was there an audience watching?  Imagination is a wonderful thing which can take a person into a different realm of existence.  I could turn into someone else while painting, I could find myself hanging by strings like a puppet while I paint, I could go as  far as my imagination would carry me, or that I let it.  In the medical field, an experience like that would be termed psychosis.  I once read that artist view life differently.

What I have noticed is that art and critical care or emergency nursing could complement one another but do not go well together.  There are too many extenuating circumstances that get in the way.  There are too many details that I see which overwhelms me so I try not to see anything beyond the issues at hand.  If time slows down for some reason, it can be an asset, otherwise getting caught up in the details will often get you behind.

A good example is high blood pressure.  A person may come to the emergency room for a completely different ailment.  But as soon as the person walks in they may have a certain tone of color which changes from the neck up, a darker appearance to the skin.  Although the blood pressure may be elevated, if it is not in the danger zone, it is not addressed as rigorously.  The change in skin tone indicates a prolonged battle with high blood pressure sometimes known, sometimes not known.

Most people would not pick up on that subtle change but an artist can see it right away such as in the paleness of lips or especially the lower eyelid that reveals itself in anemia.  It may prove useful for medical students to take classes in painting the human face and becoming aware of the natural colors of the skin when they are not related to diseases and when they are.  Often times things are missed just because someone thinks it is a natural color.