Tag Archives: faces

The Journal of Dreams 03/16/2010

The Revelation Painting

www.therevelationpainting.com

INTRODUCTION:

THE REVELATION PAINTING

La Pittura di Rivelazione

Overview: 12 feet tall x 40 feet long utilizing thirty 48″ X 48″ canvases. Twenty canvases are gallery wrapped, highest quality to withstand the test of time, six are custom birch wood, with holes drilled of various sizes and fully functioning doors on the backs. Four canvases are custom birch wood in order to carry the weight of over $140,000.00 of crushed precious and semi precious gemstones. The pearl gates are made from crushed Akoya, Japanese saltwater pearls! The painting incorporates thousands and thousands of dollars worth of highest quality Golden and Liquitex acrylic paints, 24K gold flake and leaf, and complete fiber optics set ups which illuminate God in a way never seen before in fine art. Customized sections of the painting give it the ability to move and bleed (Truth-The Hemorrhage of Pigs!), then returning to its natural state.

The painting initially appears as a religious painting alone, the final book of the bible, Revelation with seven magnificent scenes and sub-scenes labeled in various languages, yet underlying there is another painting of politics and corruption. Within the painting is the ancient and ongoing battle of good v.s evil, mysteries and messages embedded within the artwork which are not readily visible. The making of this painting has spanned nearly 16 years and is estimated to be released 2014-2015. Upon the painting’s release, a stunning revelation will be revealed which ties this painting to current world events which was not discovered until 09/2009. Two other unknown mysteries of Revelation were also uncovered while creating this painting and have been missed throughout history! Please see the blogs for more detailed information about the making of this historical work of art created by one artist, and the photos as they are updated.

Upon the release of The Revelation Painting seven journals will also be released within 2015-2016 which give an unusual first hand look inside the mind of an artist while visualizing and detailing each scene revealing the trials and tribulations of aspects required to make the painting. The Journal of Measures (and Numbers) details not only the transition of moving an idea to giant size, it also covers odd events regarding numbers associated with the painting. The Journal of Sketches reveals artwork from the conceptual stages and beyond. The stones used in the painting are discussed in a journal named: The Stones, and Truth-The Hemorrhage of Pigs! talks about the section of the painting which bleeds.

Within The Journal of Acknowledgement participants are given an opportunity to express information to the world! World-wide exposure to the arts in many regions dealing personally to obtain supplies for this historical painting. My endeavor is to help bring knowledge around the globe of not only the beauty of arts all over the world but to help people understand that profound inspiration exist in a world not so far from their own! My first stop…Africa!  With global participation in The Revelation Painting for the past twelve years there has been silent participation from all over the globe to complete this work of fine art; what I consider to be a “global effort”. The ultimate endeavor is to bring a sense of unity through visual peace by bringing to light the beauty of natural resources, therefore the people of that region or area. Mysteries of Revelation which have pulled at the threads of many genius human beings are revealed within the painting as well.

Seven journals will accompany this massive work of art. Nothing like this has ever been done in art or the history of mankind! My Creative Influences & Favorite Artists, The Philosophy of the Revelation Painting: Philosophy is the study of general and fundamental problems concerning matters such as existence, knowledge, values, reason, mind, and language distinguished from other ways of addressing fundamental questions (such as mysticism, myth, or the arts) by its critical, generally systematic approach and its reliance on rational argument. The word “Philosophy” comes from the Greek φιλοσοφία [philosophia], which literally means “love of wisdom”.http://en.wikipedia.org/wiki/PhilosophyAs noted in the definition of philosophy: A simple and profound question to ask yourself is simply, why am I here? The Revelation Painting helps to bring to light an answer to that question by subjecting the viewer to a combination of factors that overlap in the world we live in. In order to see why we are here, we have to see the world around us. There is a significant difference in “seeing” and understanding, it is a global effect. We can look at every single detail but miss the entire forest because of the trees. To understand, for example how the forest survives, you must understand the delicate balance of life but you cannot think that you understand if you do not see the “big” picture, otherwise it is no less than walking around blind with 20/20 vision!

How the problems in the philosophy are addressed throughout The Revelation Painting is approached through certainly what would be termed an unconventional route. Artist throughout history have used their talent to help their audience see life through a perspective very different from what they are accustom. People are attracted to the different view of the world gazing through the artist’s eyes mainly because it is an escape from the world they are used to or literally trapped within. The world of imagination can take anyone as far as they would like to go whether it is by their own hand, or that of an artist. Often times an artist’ endeavor is to connect with the viewer.

Difficulty arises through expression whether it be an idea, placing a shadow correctly within a work of art, or most often bringing an idea to reality. Historically the renowned artists are those who were able to achieve a connection with people through their art and master the difficulties associated, hence the “Masters”. The Revelation Painting’s effort to master difficulties of projecting ideas to vision and within the painting is a core network projecting the delicate balance of life in an unconventional manner. The blogs, journals and information associated with the painting was designed to help the viewer understand the complexity of the unseen network within the forest of this massive painting.

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The Journal of Dreams 01/27/2010

I started painting the white background on the custom canvases-64 square feet (4-4 foot canvases).  The brush I am using is 1″ and it is clear that I should have used a roller!  This is an absolutely huge painting that gives a lot of time to think about things as you work on it.  I like to keep tabs on what I think about when painting certain things.  Painting is therapy and the huge white canvas(es) are waiting for the artist to spill their thoughts upon it.

Today I imagined the Old Masters and their thoughts while painting some of their best works.  Also, I wondered how much background noises had to do with their thoughts.  In the 1600’s there were probably bird sounds and carriages pulled by horses.  The click-clack of their feet in motion may have kept a beat used to stroke the painting at a certain pace, or maybe the noises threw off the artist’ concentration when trying to do intricate work.

Did the artist paint in solitude or was there an audience watching?  Imagination is a wonderful thing which can take a person into a different realm of existence.  I could turn into someone else while painting, I could find myself hanging by strings like a puppet while I paint, I could go as  far as my imagination would carry me, or that I let it.  In the medical field, an experience like that would be termed psychosis.  I once read that artist view life differently.

What I have noticed is that art and critical care or emergency nursing could complement one another but do not go well together.  There are too many extenuating circumstances that get in the way.  There are too many details that I see which overwhelms me so I try not to see anything beyond the issues at hand.  If time slows down for some reason, it can be an asset, otherwise getting caught up in the details will often get you behind.

A good example is high blood pressure.  A person may come to the emergency room for a completely different ailment.  But as soon as the person walks in they may have a certain tone of color which changes from the neck up, a darker appearance to the skin.  Although the blood pressure may be elevated, if it is not in the danger zone, it is not addressed as rigorously.  The change in skin tone indicates a prolonged battle with high blood pressure sometimes known, sometimes not known.

Most people would not pick up on that subtle change but an artist can see it right away such as in the paleness of lips or especially the lower eyelid that reveals itself in anemia.  It may prove useful for medical students to take classes in painting the human face and becoming aware of the natural colors of the skin when they are not related to diseases and when they are.  Often times things are missed just because someone thinks it is a natural color.

The Journal of Dreams 01/21/2010

I spent the majority of the day looking at the faces of lions, calf’s, and eagles.  These are extremely beautiful animals!  I also researched meaning and perceived meanings of The Four Living Creatures.  I found other parts where they are mentioned but the description is different.  I am wondering what these creatures truly represent but more so wondering what my personal connection to them are.  These are the creatures I have dreamed about since I was a child and through all the photos I have searched, there are no similarities from any other artist’ that come close to what I imagined they look like.

I learned a lot from painting the black horse and being unprepared.  I cannot repaint the creatures over and over because I am using real feathers for their wings in some places.  It seems like all the art I have done throughout my life is somehow tied to this painting.  I used feathers in several paintings depicting angels of one sort or another.  Feathers are hard to manage, you have to put down an adhesive and gently work the feather into it with a stiff brush to capture the detail of each individual line which make up the feather itself.  They are very delicate and need patience which is a lacking attribute for me.

Painting eyes on feathers might pose a critical problem.  Even placing the feathers might cause degradation after time since they are carbon based (once living).  Hopefully the lacquer will seal them forever leaving minimal opportunity for deterioration.  I might consider painting feathers under them in case they deteriorate.  White feathers are the best, then from what I learned about highlighting to created depth in texture from the sky, I can color them grey, or other colors and the white is like fresh, white canvas allowing the actual color to show in its brilliant and true pigment.