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Who Are You?

Who Are You?

by The Revelation Painting on Monday, December 26, 2011 at 2:15am
Even though we are human and we have been alive for a long time as a species, we take that for granted.  Have you ever just sat and wondered exactly who you really are or where you came from?  I mean REALLY came from?  Like you, I never really thought about it until I began working on The Four Horsemen of The Revelation Painting.  It was the rider’s of those horses who showed me something I would have never seen otherwise.  As I read and tried desperately to “read between the lines” about the horses and their independent missions or meanings, I started to see that each horse represented an amount of time on this earth!  Evolution and change, social responsibility and unity were just a small part of it.

Then I found myself absorbed in the Locust of Scene IV which were described as first and foremost, “the face of a man”.  I became confused as I began to sketch this “face of a man”.  I thought: “What man, from what period of time, what race or all races?”  As you can see, it is not an easy task when you think about the simple sentence: “The face of a man.”  This is where Physical Anthropology becomes important.  This is where philosophy hits you on the head like being struck with a hammer!  You start to think: “Really, who am I and where DID I come from?”

I suppose this is were religion comes into our lives and we just accept the God made us.  We are supposed to believe in “blind faith” that it is a true and undisputable fact but I cannot.  I need to see and maybe that is what fuels an artist’s mind.  Artist are visual, imaginative, inquisitive and in my case, I have always had a “problem” seeing the big picture when it is made up from so many minute details…like our molecules and atoms.  We are not just people, we are more than that and if we all originated from Adam and Eve, why do we look so different?

Human evolution refers to the evolutionary history of the genus Homo, including the emergence of Homo sapiens as a distinct species and as a unique category of hominids (“great apes”) and mammals. The study of human evolution uses many scientific disciplines, including physical anthropology, primatology, archaeology,linguistics and genetics. The evidence for human evolution is overwhelming. This includes thousands of fossils that have been uncovered. These fossils show the progressive straightening of the spine, the increase in brain volume, and change in facial features. Humans have also inherited their tail bone (which is a remnant of what was once a human tail) from earlier primate ancestors.

All animals have a tail at one point in their development; in humans, it is present for a period of 4 weeks, during stages 14 to 22 of human embryogenesis. We also have a remnant (though non-functional third eyelid (the Plica Semilunaris), which is thought to have been inherited from Calabar angwantibo primate species, and extra external ear muscles.  These ear muscles are used by animals to swivel and manipulate their ears (independently of their head) in order to focus their hearing on particular sounds. Humans still have the muscles that we would once have used for the very same reason – but our muscles are now so feeble that all they can do is give our ears a little wiggle.

DNA comparisons also show that we share approximately 98.8-99% of our DNA with our closest cousin, the chimpanzee (i.e., we only differ in 1-1.2% of our DNA). Evidence also includes ancestral DNA evidence (“Junk DNA”) that humans share with earlier ancestors. For example, Humans have structures in their genetic make-up that were once used to produce enzymes to process vitamin C (it is called L-gulonolactone oxidase). Most other animals have this functioning DNA but at some point in our history, a mutation disabled the gene – whilst leaving behind its remnants as junk DNA. This particular junk DNA indicates a common ancestry with other species on earth.

The plantaris muscle also serves as evidence of evolution. The plantaris muscle is used by animals in gripping and manipulating objects with their feet – something you see with apes who seem to be able to use their feet as well as their hands. Humans have this muscle as well, but it is now so underdeveloped that it is often taken out by doctors when they need tissue for reconstruction in other parts of the body. The muscle is so unimportant to the human body that 9% of humans are now born without it. Other evidence includes Jacobsons’s organ. Jacobson’s organ is a part of animal anatomy and it tells us a lot about our own sexual history. The organ is in the nose and it is a special “smell” organ which detects pheromones (the chemical that triggers sexual desire, alarm, or information about food trails).

It is this organ that allows some animals to track others for sex and to know of potential dangers. Humans are born with the Jacobson’s organ, but in early development its abilities dwindle to a point that it is useless. In some cases, structures once identified as vestigal simply had an unrecognized function. Wisdom teeth are also derived of evolutionary origin. Early humans ate a lot of plants – and they needed to eat them quickly enough that they could eat a sufficient amount in one day to get all of the nutrients they needed. For this reason, we had an extra set of molars to make the larger mouth more productive. This was particularly essential as the body lacked the ability to sufficiently digest cellulose. As evolution made its selections, our diets changed, our jaws grew appropriately smaller, and our third molars became unnecessary.

The term “human” in the context of human evolution refers to the genus Homo, but studies of human evolution usually include other hominids, such as the Australopithecines, from which the genus Homo diverged by about 2.3 to 2.4 million years ago in Africa.  Scientists have estimated that humans branched off from their common ancestor with chimpanzees about 5–7 million years ago. Several species and subspecies of Homoevolved and are now extinct, introgressed or extant. Examples include Homo erectus (which inhabited Asia, Africa, and Europe) and Neanderthals(either Homo neanderthalensis or Homo sapiens neanderthalensis) (which inhabited Europe and Asia). Archaic Homo sapiens, the forerunner ofanatomically modern humans, evolved between 400,000 and 250,000 years ago.

One view among scientists concerning the origin of anatomically modern humans is the hypothesis known as “Out of Africa”, recent African origin of modern humans, or recent African origin hypothesis, which argues that Homo sapiens arose in Africa and migrated out of the continent around 50,000 to 100,000 years ago, replacing populations of Homo erectus in Asia and Neanderthals in Europe. An alternative multiregional hypothesis posits that Homo sapiens evolved as geographically separate but interbreeding populations stemming from the worldwide migration ofHomo erectus out of Africa nearly 2.5 million years ago. Evidence suggests that several haplotypes of Neanderthal origin are present among all non-African populations, and Neanderthals and other hominids, such as Denisova hominin may have contributed up to 6% of their genome to present-day humans.


So now, ask yourself this:  “If science has developed a way to SEE the connections we have with other species, and are able to trace our origins back to a certain time, does that mean that Adam and Eve were “Great Apes” and if so and God created man in his own image, does that mean that the Great Apes that we humans are forcing to extinction are indeed ourselves killing the closest thing we know to God himself?  Are we killing ourselves, are we forcing ourselves into distinction?”  It seems as though if we wanted to believe these theories (which are substantiated by the proof of science and not writings in a book; the Bible), regardless of the argument, that we would hold LIFE itself very precious to our survival whether it be a man, an ape, or a plant because ultimately we don’t know for sure.

A fool destroys himself and you never bite the hand that feeds you.  Imagine…everyone has not always “looked” like Hollywood.  Everyone has not always looked as we look today.  There are ancient skulls which measure completely different measurements that do not match our measurements in today’s time in any way.  Ask yourself who were those people?  We were given the responsibility of this world from them, they believed that we would care for it yet we are destroying the very fibers of our beings.  It is important to think and understand “us” as humanity, “us” as the gatekeepers, “us” as the master’s of our and other species.  The decisions we make today affect the world today, not tomorrow, today.  We are in charge and we are failing our world.

I realize some people will not like to read this, some will argue the validity, some will call me a “nut” but the bottom line is this:  It is not about what you have in your hand when you leave this earth, it is about what you have in your heart and what you leave behind in the hearts of others.  We are not in this world for ourself, we are in this world for one another and simple common sense can and will tell you (if you can hear it beyond the tip of your own nose) that the diamonds on your fingers, the mansion on the hill, the gangsta pistol, Air Jordans, not even the BMW in the driveway means anything to anyone but YOU. Imagine a world where EVERYONE you meet says Hello and smiles.  Imagine a world where we don’t have to dream nightmares wondering if the New World Order is real or not or if we will wake up to World War III.  Imagine not having to work so desperately hard just to make ends meet.

If we as individuals, each one of us changed to the way we wanted the world to be, it would be that kind of world because believe it or not WE ARE IN CONTROL and we have been all along.  A new year is here, a new life is here starting today.  Imagine this:  Have you ever thought, “I wish I could go back in time and start over but know what I know now”?  TODAY YOU ARE ALIVE, TODAY YOU KNOW WHO YOU ARE, TODAY YOU ARE WAKING UP KNOWING NOW WHAT YOU DIDN’T KNOW THEN…TODAY IS THE FIRST DAY OF THE REST OF YOUR LIFE…LITERALLY.  WELCOME TO YOUR WORLD, MAKE IT THE WORLD YOU WANT IT TO BE.  EVERYDAY POST A GOAL ON YOUR PAGE AND EVERYDAY WRITE ABOUT HOW YOU ARE WORKING TO MAKE YOUR DREAMS FOR A BETTER WORLD A REALITY.



The Journal of Dreams 03/16/2010

The Revelation Painting




La Pittura di Rivelazione

Overview: 12 feet tall x 40 feet long utilizing thirty 48″ X 48″ canvases. Twenty canvases are gallery wrapped, highest quality to withstand the test of time, six are custom birch wood, with holes drilled of various sizes and fully functioning doors on the backs. Four canvases are custom birch wood in order to carry the weight of over $140,000.00 of crushed precious and semi precious gemstones. The pearl gates are made from crushed Akoya, Japanese saltwater pearls! The painting incorporates thousands and thousands of dollars worth of highest quality Golden and Liquitex acrylic paints, 24K gold flake and leaf, and complete fiber optics set ups which illuminate God in a way never seen before in fine art. Customized sections of the painting give it the ability to move and bleed (Truth-The Hemorrhage of Pigs!), then returning to its natural state.

The painting initially appears as a religious painting alone, the final book of the bible, Revelation with seven magnificent scenes and sub-scenes labeled in various languages, yet underlying there is another painting of politics and corruption. Within the painting is the ancient and ongoing battle of good v.s evil, mysteries and messages embedded within the artwork which are not readily visible. The making of this painting has spanned nearly 16 years and is estimated to be released 2014-2015. Upon the painting’s release, a stunning revelation will be revealed which ties this painting to current world events which was not discovered until 09/2009. Two other unknown mysteries of Revelation were also uncovered while creating this painting and have been missed throughout history! Please see the blogs for more detailed information about the making of this historical work of art created by one artist, and the photos as they are updated.

Upon the release of The Revelation Painting seven journals will also be released within 2015-2016 which give an unusual first hand look inside the mind of an artist while visualizing and detailing each scene revealing the trials and tribulations of aspects required to make the painting. The Journal of Measures (and Numbers) details not only the transition of moving an idea to giant size, it also covers odd events regarding numbers associated with the painting. The Journal of Sketches reveals artwork from the conceptual stages and beyond. The stones used in the painting are discussed in a journal named: The Stones, and Truth-The Hemorrhage of Pigs! talks about the section of the painting which bleeds.

Within The Journal of Acknowledgement participants are given an opportunity to express information to the world! World-wide exposure to the arts in many regions dealing personally to obtain supplies for this historical painting. My endeavor is to help bring knowledge around the globe of not only the beauty of arts all over the world but to help people understand that profound inspiration exist in a world not so far from their own! My first stop…Africa!  With global participation in The Revelation Painting for the past twelve years there has been silent participation from all over the globe to complete this work of fine art; what I consider to be a “global effort”. The ultimate endeavor is to bring a sense of unity through visual peace by bringing to light the beauty of natural resources, therefore the people of that region or area. Mysteries of Revelation which have pulled at the threads of many genius human beings are revealed within the painting as well.

Seven journals will accompany this massive work of art. Nothing like this has ever been done in art or the history of mankind! My Creative Influences & Favorite Artists, The Philosophy of the Revelation Painting: Philosophy is the study of general and fundamental problems concerning matters such as existence, knowledge, values, reason, mind, and language distinguished from other ways of addressing fundamental questions (such as mysticism, myth, or the arts) by its critical, generally systematic approach and its reliance on rational argument. The word “Philosophy” comes from the Greek φιλοσοφία [philosophia], which literally means “love of wisdom”.http://en.wikipedia.org/wiki/PhilosophyAs noted in the definition of philosophy: A simple and profound question to ask yourself is simply, why am I here? The Revelation Painting helps to bring to light an answer to that question by subjecting the viewer to a combination of factors that overlap in the world we live in. In order to see why we are here, we have to see the world around us. There is a significant difference in “seeing” and understanding, it is a global effect. We can look at every single detail but miss the entire forest because of the trees. To understand, for example how the forest survives, you must understand the delicate balance of life but you cannot think that you understand if you do not see the “big” picture, otherwise it is no less than walking around blind with 20/20 vision!

How the problems in the philosophy are addressed throughout The Revelation Painting is approached through certainly what would be termed an unconventional route. Artist throughout history have used their talent to help their audience see life through a perspective very different from what they are accustom. People are attracted to the different view of the world gazing through the artist’s eyes mainly because it is an escape from the world they are used to or literally trapped within. The world of imagination can take anyone as far as they would like to go whether it is by their own hand, or that of an artist. Often times an artist’ endeavor is to connect with the viewer.

Difficulty arises through expression whether it be an idea, placing a shadow correctly within a work of art, or most often bringing an idea to reality. Historically the renowned artists are those who were able to achieve a connection with people through their art and master the difficulties associated, hence the “Masters”. The Revelation Painting’s effort to master difficulties of projecting ideas to vision and within the painting is a core network projecting the delicate balance of life in an unconventional manner. The blogs, journals and information associated with the painting was designed to help the viewer understand the complexity of the unseen network within the forest of this massive painting.

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