Tag Archives: bleeding

Secret #3


02/09/2012 by the revelation painting

This is a true revelation about The Revelation Painting. Throughout history it has been missed and will change religion, as well as history as we know it to be regarding Revelation in the bible. After working on this painting for the past 13 years I realize exactly how something of this magnitude was missed. Upon crushing stones for the painting I began to see how the colors created something very familiar although it was not fully apparent at first. Initially I saw the stones of the twelve foundations just as anyone else but then started to see a pattern. Intermittently within the pattern some stones seemed out of place. I began to research the origins of the stones, ancient known colors, their original names, ancient descriptions and then I realized what the stones meant. A story unfolded before my eyes!
The first stone of the twelve foundations is Jasper (please see the blog on Jasper and subsequent stones). I imagined a “New City” in the sky; the heavens and thought the correct stone was Ocean Jasper; a blue stone. I began requesting Ocean Jasper from all over the world. It was through a dream that I realized my mistake only 10 years later. A dream lead to the discovery and it was as though a tape recorder played the sentence: “His face shone like the sun, as a precious gemstone as clear as crystal; a Jasper stone.” Day and night the words taunted me. I researched Jasper; a quartz and realized that it was the clear, brilliance of quartz crystal which reflects small rainbows within it similar to a diamond effect! What better a stone to signify the pure cleanliness, shine and glory of God himself? A city which “shines like the sun”.
Sapphire followed but the common blue sapphire was not correct either. Upon researching the colors of Sapphire, I was in awe to realize that red Sapphire is a Ruby! I placed a Ruby for the second stone of the foundations and threw caution to the wind. It was a very expense risk and the first time I smashed a ruby into shards I thought I would pass out but interestingly enough, it was comfortable and extremely natural. Mingling ruby with the quartz began to create a fading effect, like dry pigments; the richer the mixing the darker the color, so a small amount caused a pink effect fading to a rich, translucent red-the hallmark of the brilliance only Ruby has. Little did I realize at that time the translucency also played a significant role in the meaning of the New City and the twelve foundation stones.
The third stone, Chalcedony was also known for its sky blue, heavenly color. Now, against the red and clear it was obvious that the blue was incorrect. According to the pattern of color I was trying to discover, it was apparent the Chalcedony was minimally red-orange, if not solidly red. I researched Chalcedony and once again was surprised to find that red is a rare color of the stone. The red of Chalcedony is more opaque that the Ruby. When I looked at the red color it reminded me of blood; the red-orange color of blood and it was like the brilliance of God was bleeding, fading like a slow bleed. It was only destiny that the next stone-Emerald was red. I battled over my theory and knew that at one time Emerald had to have been a red stone. I started from the beginning.
Emerald is a Beryl. Beryl’s come in all colors, including red. After intermittently learning about stones, it was when the economic crisis in the United States prompted me to start collecting a “nest egg”, something that would always have value throughout time like gold, platinum, precious gemstones… I looked for the rarest gemstone in the world and found beyond my wildest imagination red Beryl, a red “Emerald” or Bixbite! I still faced the dilemma of why the only Emerald I had ever known was green. I found that in the 1800s green Beryl was separated from the family and man called it Emerald! I had found the discrepancy amongst the stones and within the fade from translucency to opaque, the deepest red of Bixbite is the color of blood! My New City was bleeding!
What is the most powerful sacrifice made for humanity in the bible? Jesus shed his blood and died for our sins so that we will have everlasting life. Everlasting life in God’s New City! How appropriate for a New City-God’s New City, a new and pure beginning to shine in his image first and foremost. Secondly, to never let us forget the sacrifice which was made-Jesus’ blood and ultimately his life? The first six foundations show glory, a slow bleed, a vanishing bleed through Sardonyx and Sardius (Carnelian) turning red-orange to orange, and the seventh stone (a division stone from one message to another yet overlapping to connect the meanings of a promise), is Chrysolite-gold, like the streets of the New City shiny like glass.
The following colors after Chrysolite are the seven colors of the rainbow in their correct order. A rainbow signifies a “promise” as noted in the story of Noah’s Arch. Personally I would imagine that within the New City there would include a promise of purity, overall good and God’s plan. As I have stated before: I am not religious but I am learning to make my own decisions. If I were God I suppose I would have hidden astounding clues within my work which is what prompted the many mysteries within The Revelation Painting. It is an exciting time and Revelation is rising!

The New City of Revelation and its 12 foundations
The stones are in their correct order.
This information is copyrighted by its author © 2009-2015
Discovery of this information is protected under United States Intellectual Property Laws. Any infringement upon this intellectual property constitutes a violation of those Laws and is subject to criminal prosecution.


Revelation is about sevens and mysteries. There are seven colors in a rainbow. The seventh stone from top to bottom in the mentioned in the foundations is Chrysolite which signifies a division line within the foundation stones between two messages.

Rev. 21:11 …“It shone with the glory of God, and its brilliance was like that of a very precious jewel, like Jasper, clear as crystal.”

JASPER-QUARTZ “As clear as crystal”

Every color of the stone Corundum is considered a ”Sapphire” except for red. The red Sapphire is a Ruby.
Translucent red fading from the clear…starting to bleed…


More opaque, a richer red-a rare color…heavier bleeding…


A Beryl. In the 1800’s, man removed the green Beryl from the Beryl group and called it an Emerald. Is this the Emerald mentioned in the foundations of the New City? It fits perfectly into the scheme of color and meaning.
RED Beryl-Bixbite, the rarest gemstone in the world!
The feedback about this stone is amazing, many people are attracted to it compared to other stones of the painting and ask constantly what kind of stone it is. Why would that be?Why does the stone fall in this position within the foundations? Does it symbolize the rarity of Jesus’ blood? Only 60 pounds of this rare stone was ever mined!
(This gem is typically heavily included, opaque, and the faceted Gem is very expensive. You could expect to pay $20,000 to $25,000 for a one (1) carat Red Beryl; RED EMERALD!)


Blood (red blood cells and yellow plasma)
The blood is now fading from red to orange.

SARDONYX (Red Orange Transition)

Carnelian-pure ORANGE transitional stone into the remaining rainbow. The second color of the rainbow.



CHRYSOLITE-Beryl. Heliodor-golden, the streets of the New City are also gold like glass. This is the separation line between two messages.

CHRYSOLITE (Beryl-Golden)









Chrysoprase BLUE…rainbow blue (teal) reference the rainbow.

Chrysoprasus-Chrysoprase Blue

Hyacinth in ancient times and Hyacinth is Sapphire.
Sapphire or mixed Zircon (red/blue) INDIGO





The New City built by GOD will (1.) shine in the image of God’s glory (as noted above-the “shine”) as Jesus’ blood flows to let us (2.) never forget the sacrifice he made. The blood separated by the golden division line from blood to the seven (remaining five) rainbow colors in their correct order, of (3.) a promise of God’s love.

RAINBOW-A promise!


Please note the most of the stones mentioned have a spectrum of colors, which exhibit fading and transitional properties from one stone to another, therefore one color of the rainbow to the next, e.g. A Ruby may be represented in pink to red in various shades and a Topaz can range in the green-blues, among other colors. Amethyst can be seen in darkest purple to violet to an almost clear (among other colors), which could be considered blending with the clear Jasper and starting the process all over again.


The Journal of Dreams 01/25/2010

I have worked on the Scene II God sketches and am finding some problems.  I had originally planned to make a fiber optically lit area which concentrated in about a 3 foot area dissipating over approximately 5 feet to the left and 6 feet to the right.  The problem is that I did not consider placement of the Four Living Creatures or the effect of where the 24 elders would be.  The scene is further complicated by the 7 candlesticks or the one candlestick with 7 candles in it.

I had planned to make the light the center focus but to do that, the frame of the wooden canvases (built to hold the fiber optic cables, with doors on the backs).  The wooden canvases are being made and will have to be used as originally planned.  The key is to shrink the core size of the bulk of the light and make it widely scattered as it comes off the core.  Holes will have to be drilled through art which is already completed.  There is a big risk to this plan.

I could jeopardize the finished work by drilling through it, or drill first, but then I would have to work around the finished work.  That, to me causes far more problems than completing it then drilling.  I am considering using the color wheel, pastel fiber optics in the scattered holes away from the core.  Then the changing color will take away from the loss of light from not drilling through the frames and decreasing the canvases integrity.

The Four Living Creatures will have so many eyes that pupils and holes will be difficult to distinguish since that part of the painting is up around 10 feet from the viewers direct vision, which is an asset in this section.  The drilled holes of light do not actually need to be through the creatures but the effect of “being in God’s light” is important I feel to show that these creatures are a significant part of God as they are with him at his throne.

The 24 elders (priest) are undecided  at this time.  I am thinking to making them somewhat blurry from the light of God and not detailed, just the likeness of 24 men.  The 2nd part of the painting; Truth-The Hemorrhage of Pigs! also poses another problem.  With thermochromics, the rule is “the thinner, the better” and with the clear to red it is imperative not to have any thicker areas because it will remain pink.  Red is a hard pigment to work with.

To solve this problem, I was thinking about very thin plexiglass since thermochromics have to be replaced (washed off and re-coated) around 1-2 times a year.  If the plexiglass was removable, it would be a much simpler task and re=coating would be easier as well.  The plexiglass would be thin enough not to add width to the painting and make it seem uniform.  I will have to get the plexiglass cut in a custom drip pattern to appear as though blood is running down.

What I imagined to be a simple and fast scene has truly become very complicated.  This scene is most likely the most important of the entire painting.  It moves and is brightly lit, and it bleeds.  I will also be using the crushed rainbow quartz, the glitters of “diamond dust”, hologram and plain white.  This scene will need the strongest sealer I can find due to the wear and tear and the elements used to create it.  I am always focused on the painting’s ability to withstand the test of time.

The Journal of Dreams 01/02/2010

I am astounded and crushed with disappointment and in the turn out for the new site.  I am unsure exactly what I was expecting.  I will have to test every aspect of the site and see if it is appealing, discover its faults, look at all available options and fix them.  I like to think I am intelligent enough to do that.  I feel angry, wondering if this dream is clouding my judgement, but most of all, I feel hurt.  I thought that the site would bring people from all over the world, exploding in interest…well, it did not and tomorrow is another day.  Maybe my resistance against religion is playing a role in this, something that I cannot see…like faith.  I have always said I have to see to believe and maybe that is wrong.  If there is a God,, that means there is a Devil and maybe he is trying to stop me, it is a religious painting after all.

Today I have four canvases to paint, The Four Horsemen.  This will be the 9th time I have repainted the black horse.  He is stubborn.  The vision I had in my head is not easy to paint and I am realizing that I must set myself free in order to paint him.  Every time it is his body which looks out of proportion compared to the rider and the horse’s own head.  I imagined the horse to be much bigger than I am allowing myself to paint him.  I went through the sketches in the Journal of Measures and can see that he is over nine feet tall but I keep painting him seven feet tall.  It requires a lot of white paint and I made a critical error using red permanent marker because I could not see the correct pencil lines to follow, now blue, yellow and lead.  The red marker keeps bleeding through the white requiring coats of paint.

Another mystery I have yet to uncover is that I have over 10.000.00 views on my combined sites and only 6 comments.  Do people think I am insane, or full of shit, or what?  At least if they do, I wish they would say it.  I checked and rechecked the comment ability on my sites and even had my daughter write a test comment from her computer and it works.  What could be keeping people from commenting?  I will look for a site analytic program that can tell me where these views are coming from for the official site.  I imagine people reading the blogs with their eyes wide open, biting their fingernails trying to see “the big picture” and thinking it is impossible to create such a massive painting.  A lot of times people say:  “Where do you keep it?”  I laugh and say: “In my apartment.”  They say: “God, where do you live?”